Unlike Phil Spector, Sam Phillips or Motown giants, Mardin was a producer without a signature sound. But it was perhaps his adaptability and innate understanding of individual performers needs and strengths that kept him in demand well into his 70s, until his death in his New York home last summer.
You have read 1 of 1 free-access articles allowed for 30 - days. For further access please register or log in.
