Album, Reviews

Los Angeles Forum: April 26, 1969 

The Jimi Hendrix Experience

“We’re all at church, right?” Hendrix says at the start of this concert, which might explain the possessed nature of an audience that needs police restraint to stop them from rushing the stage. Hendrix himself, the high priest of psych-rock, is, however, in a largely laidback mood, the overall vibe being that he can deliver his Foxy Ladys and…

Album, Reviews

Use Your Illusion I & II: Super Deluxe Edition

Guns N’ Roses

Taking roughly as much time between super-deluxe box sets as it took Guns N’ Roses to follow the original release of Appetite For Destruction (1987) with Use Your Illusion I and II (1991), this collection is less a snapshot of a point in time as it is a panoramic of a band in evolution. A pre-release club gig burns with street-punk ferocity, with…

Album, Reviews

Expressions Tell Everything 

Love

From a ruined mansion in the Hollywood hills, Arthur Lee cast his gaze across the Los Angeles skyline. He saw the world had gone to hell and was convinced he was about to die. His vision of an imminent holocaust was the antithesis of the flower power Utopia envisaged by his youthful contemporaries. Lee, only 22, was bombed on acid and heroin much o…

Album, Reviews

The Miracle: Collector’s Edition

Queen

Now that £150 box sets like this one are the bread and butter of physical media sales, standards have become exactingly high for compilers and curators of these items. Even so, this comprehensive summing-up of pretty much everything to do with Queen’s 1989 album The Miracle – whether audio, visual, lost, rediscovered or reordered – is a triu…

Album, Reviews

The Ruby Cord 

Richard Dawson

It’s hard to tell if Richard Dawson is actively trying shed listeners or simply following his muse. Perhaps his muse is fleeing the pint-swigging enthusiasts who talked all the way through a gig I saw of his in 2019. Released too late in the year to make some publications’ best-of 2022 lists and opening with a song that lasts 41(!) minutes, The…

Album, Reviews

Voices Of Bishara 

Tom Skinner

The mastermind behind Hello Skinny, a one-man-band that mashes up jazz improv with trippy electronica, Skinner was recently heard playing drums on the debut album by The Smile, a side-project of Radiohead’s Thom Yorke and Jonny Greenwood. Here, though, he moves into a different sonic realm with this immersive cache of yearning spiritual jazz wher…

Album, Reviews

And In The Darkness, Hearts Aglow 

Weyes Blood

What to do when this drained husk of a planet on which we busy ourselves is showing bin fires how it’s really done? When lives are put on hold while viruses stalk the Earth? When those who have elbowed their way to power betray us so routinely that scandalous behaviour barely raises an eyebrow? Well, if you’re the prodigiously talented Natalie …

Album, Reviews

Space Force

Todd Rundgren

On his 2017 release White Knight, Todd Rundgren’s many collaborators were invited to help him complete pieces of music he’d instigated. Space Force (not to be confused with the Steve Carell comedy series on Netflix) flips that concept on its head by asking his guests to provide the initial inspirations, i.e. unfinished songs which, for one reas…

Album, Reviews

All The Kids Are Super Bummed Out

Luke Haines & Peter Buck

Writing for Record Collector gives you an amazing contacts list, as I was saying to Barack and Beyonce earlier. RC columnist Luke Haines again teams up with R.E.M. guitarist Buck here (the 2020 album Beat Poetry For Survivalists sassily staked out their turf), and they even rope in Lenny Kaye for a number. This vigorous double allows Haines to expe…

Album, Reviews

YTI⅃AƎЯ

Bill Callahan

“And we’re coming out of dreams,” sings Bill Callahan on opener First Bird, as we enter a world of subtle psychedelic guitars and twisted horns, all swirling deliciously around his earthy baritone. Naked Souls and Coyotes, in particular, take flight, with both weighing in around the six-and-a-half minute mark. The reversed typography suggests…

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