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Album, Reviews

T R O U B L E | Woodpigeon

TROUBLE is a strange thing. If an album were an animal this would be a nocturnal beast, ornery and difficult under the blinding brightness of day. Listen to this album in the morning, and you may well be underwhelmed. When night falls however, Canadian Woodpigeon’s latest, less-tuneful-than-usual affair suddenly starts to make sense, no longer sounding like a disparate mishmash of indie and Avalon-era Roxy Music, but instead transposed into a soundtrack for those lonesome nights.

Musically, TROUBLE grows more assured as it goes on, as if darkness is folding in on itself like the creeping tendrils of Japanese plants which loom from its front cover. “Don’t be faithful if you’re not,” he sings on Faithful, over guitars like raindrops, and you just know it’s personal. Sovkino meanwhile, builds from timorous minor key pianos and staccato bass to a brilliant, swooning, heartbroken pop chorus. Unusual song structures abound and if you like your indie music varied – Camera Obscura, kraut-rock and Roy Orbison are just a few of the references that spring to mind – then you’ll love it. Just make sure you wait ’til the sun goes down.

Wiaiwya | WIACD 040(CD/LP)
Reviewed by David Harvey
Back to Issue 453

The Wonder Stuff Diaries 86-89

Billing this book as diaries from the formative years of The Wonder Stuff doesn’t mean that Miles Hunt is rock’s Samuel Pepys. He didn’t write extensive résumés of his daily life, but made notations of gigs, releases and interviews. Among a layout of full-colour photographs, press clippings and memorabilia, they serv…

Lambchop

Some members of Lambchop formed Hands Off Cuba, who played a curious support slot (20 minutes of indulgent ambient soundscapes) before the rest of the band joined them to warm (and relieved) applause. Five floating and hanging illuminated balloons hosted video footage throughout and, although bordering on pretentious, it drew visual focus from the …

amERICa

In chart terms, Wreckless Eric was a Stiff Records underachiever, certainly compared to label-mates like Elvis Costello, Nick Lowe and Ian Dury. However, his wilful eccentricity, skewed wit and vulnerability somehow personified the label’s attitude and ethos, making him a vital part of their stable and an invaluable asset to those famous Stif…

Spirit Of Joy: Tales From The Polydor Underground 1967- 1974

Starting as a
German label
in the 20s,
Polydor
underwent a
revolution after
1966 through hitching up with
prime movers and labels such
as Robert Stigwood’s Reaction,
Kit Lambert and Chris Stamp’s
newly-launched Track, Giorgio
Gomelsky’s Marmalade and
John Peel’s Dandelion, while
releasing a string of milesto…

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