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Album, Reviews

T R O U B L E | Woodpigeon

TROUBLE is a strange thing. If an album were an animal this would be a nocturnal beast, ornery and difficult under the blinding brightness of day. Listen to this album in the morning, and you may well be underwhelmed. When night falls however, Canadian Woodpigeon’s latest, less-tuneful-than-usual affair suddenly starts to make sense, no longer sounding like a disparate mishmash of indie and Avalon-era Roxy Music, but instead transposed into a soundtrack for those lonesome nights.

Musically, TROUBLE grows more assured as it goes on, as if darkness is folding in on itself like the creeping tendrils of Japanese plants which loom from its front cover. “Don’t be faithful if you’re not,” he sings on Faithful, over guitars like raindrops, and you just know it’s personal. Sovkino meanwhile, builds from timorous minor key pianos and staccato bass to a brilliant, swooning, heartbroken pop chorus. Unusual song structures abound and if you like your indie music varied – Camera Obscura, kraut-rock and Roy Orbison are just a few of the references that spring to mind – then you’ll love it. Just make sure you wait ’til the sun goes down.

Wiaiwya | WIACD 040(CD/LP)
Reviewed by David Harvey
Back to Issue 453

1,000 Recordings To Hear Before You Die: A Listener’s Life List

The trouble with list books is that
they’re out of date as soon as
they’re published; or, in the case
of Tom Moon’s effort, as soon as
the writing starts. He began this
mammoth project in 2004 and
nothing released after then has
made the cut. That said, arguing
about what’s left in and what’s
left out …

Eliza Carthy & Jim Moray

Celebrating 21 years in the biz, Eliza Carthy was joined on the Wayward Tour by Jim Moray, marking a mere decade. Backed by the 11-piece Wayward Band, including brass and string sections, it was Moray’s duets with Lucy Farrell, Jenny Of The Moor, and a particularly mesmerising version of Lord Douglas, accompanied just by acoustic guitar, whic…

Lion’s Share/Jack The Toad

These two mid-career records,
Savoy Brown’s ninth and tenth,
came at a time when the US
market was just opening up to
them. As such, this is not the
hard-edged Savoy Brown of their
early UK blues boom records, but
a good-time boogie band out to
please the crowd. Fair enough,
good covers of Howlin Wolf’s
Howling For My Darling …

Peter Cox

A one-off solo performance from the Go West frontman combined the breathy soul of Michael McDonald and blues holler of Paul Rodgers. Most satisfying of all was the fact that the set avoided over-familiar covers and focused on Cox’s solo catalogue. The Americana-tinged Missing You was a strong opener, while highlights from his most recent Damn The…

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