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Album, Reviews

T R O U B L E | Woodpigeon

TROUBLE is a strange thing. If an album were an animal this would be a nocturnal beast, ornery and difficult under the blinding brightness of day. Listen to this album in the morning, and you may well be underwhelmed. When night falls however, Canadian Woodpigeon’s latest, less-tuneful-than-usual affair suddenly starts to make sense, no longer sounding like a disparate mishmash of indie and Avalon-era Roxy Music, but instead transposed into a soundtrack for those lonesome nights.

Musically, TROUBLE grows more assured as it goes on, as if darkness is folding in on itself like the creeping tendrils of Japanese plants which loom from its front cover. “Don’t be faithful if you’re not,” he sings on Faithful, over guitars like raindrops, and you just know it’s personal. Sovkino meanwhile, builds from timorous minor key pianos and staccato bass to a brilliant, swooning, heartbroken pop chorus. Unusual song structures abound and if you like your indie music varied – Camera Obscura, kraut-rock and Roy Orbison are just a few of the references that spring to mind – then you’ll love it. Just make sure you wait ’til the sun goes down.

Wiaiwya | WIACD 040(CD/LP)
Reviewed by David Harvey
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Spiral/Sometimes

Originally released on Pye’s 4D quadraphonic imprint, these 1973 albums from The Harry Roche Constellation would have long sunk without trace, were they not considerably more than thinlydisguised demonstration vehicles for the glories of all things quadraphonic. Fronted by trombonist and musical director Harry Roche, with a little h…

The Island Years

Ultravox! – the art school, post-punk combo led by electro visionary John Foxx rather than Midge Ure’s euro-pomp successors – were true pioneers. Their breathtaking, violin-drenched debut, produced by Brian Eno, followed by the bleak, crashing Ha!-Ha!- Ha!, with Steve Lillywhite at the controls, and then Systems Of Romance – a stepping-ston…

The Moths Are Real

Three albums in and, with Jarvis Cocker riding shotgun as producer, Serafina Steer’s off in the right direction on The Moths Are Real. Delivering her songs with a half-spoken, half-sung vocal that’s often gently wrapped in comfy harmonies, Steer accompanies herself on harp to give even the most everyday observation (a trip to Brick Lane…

Cadillac

Best known as one of the pre- Rainbow homes of singer Joe Lynn Turner, and with a guitarist named Rick Blakemore (who does he think he is?), the seven-piece traded in melodic rock tinged by funk and even disco beats, as illustrated on the opening Blame It On The Night, with its piercing synth and rolling hihat. Rock N Roll You gets phased, Hypnotis…

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