Back to Issue 349
Book, Reviews

Classic Tracks Back To Back: The Stories Behind 50 Years Of Great Recordings

BY Various artists

Accurately subtitled Six Decades Of Hot Hits & Classic Cuts, this weighty history of the most important releases of the five-and-a-bit decades of pop and rock to date is two books in one. Jawbone’s separate singles and albums volumes have been stuck together back to back (180 degrees to each other to confuse stupid people) and the result is an encyclopaedia that covers pretty much all the ground, from the raw thrills of Rock Around The Clock in 1954, to the tinny wails of Justin Timberlake in ’06.

A bunch of writers whose names you’ll know from RC and other respected music mags take the reader through the most influential 750 singles and 400 albums of the last half-century, with enough factual information to make grown men weep. The highlights will depend on your musical tastes, but learning about Maggie May’s 12-string intro (composed on the way to the studio), seeing Mick Jagger competing for World’s Puniest Man on page 197 and pondering on the Krautrock influence on Pulp’s Common People was worth the book’s price alone. Let’s have an updated edition every couple of years, eh? Mind you, it’ll be all downloads by then…

Tags
Various Artists

Jawbone | ISBN 1906002134
Reviewed by Anna Glypta
Back to Issue 349

Destroyer

Combine black
metal with a
Tolkien-esque
moniker and you
get this
Norwegian outfit which have
been going strong since 1993
(though they should have
installed a revolving door on
their tour bus, as the line-up
changed every five minutes).
This 1998 album saw band members come and go before
its very inception but, on the
face of it…

Glenn Hughes

Thanks to a much-praised new
album, Music For The Divine
(featuring contributions from the
Red Hot Chili Peppers) the career
of ex-Deep Purple/Black Sabbath
singer and bassist Glenn Hughes
has hit a new peak lately, making
this London show the subject of
much expectation.

Hughes and band were on
stunning form, repaying the
…

Seventh Tree

Rumours abounded that Goldfrapp
had (eek) “gone folk”, that their
fourth album would be an acid-and-
tea-soaked odyssey of English
whimsy, drawing on Carroll, Barrett
and Lear. Having built up
expectation for a lysergic fantasia,
it initially comes as something of a
disappointment to discover merely
an album of pleasant trip-ho…

Blaze Bayley

“It’s metal, Jim, and just as we know it,” could’ve been an appropriate paraphrase summarising the evening, as a good-natured Blaze and his British band (Fury UK) put their sci-fi concept metal centre-stage. Hard-riffing, great tunes, excellent rhythm and cosmic guitar solos heralded an on-form, invigorated BB.

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