Jazz bassist Weber’s unique perspective on his instrument embraces modern classical. Adding an extra string to his bass in the early 70s gave him a sound that stood him apart from his contemporaries.
On this album Weber’s bass sounds almost treated as he moves through three long tracks that each build to individual crescendos. In the company of Charlie Mariano (soprano and flute), Rainer Bruninghaus (keyboards) and John Marshall (drums), the title track bubbles along
