Regular readers should be familiar with Jonny Trunk as our soundtrack reviewer-in-chief; those still keener will know of his eponymous label – less a business enterprise than a vehicle for his peculiarly British aural kinks and peccadilloes. He may be lax with numerical convention on this 10th anniversary (his first release, a collection from the UK’s Bosworth sound library, came out in 1995, though as he says in his liner notes, this marks 10 years since going solo) but his taste is informed and exquisite, his dedication admirable.
In his years as a gatekeeper of the heavenly, the hellish and the plain bizarre, Trunk has bestowed upon us the very finest in lost scores, forgotten themes, twee folk, obscure jazz and pornographic transcriptions, picking up weighty kudos and celebrity fandom on the way. All of
